In collaboration with the Arizona Costume Institute, Phoenix Art Museum is showcasing “Greatest Fits (vol. 1): The Art of Archiving Fashion” which features over 800 garments and accessories from the 18th century through the present day.

Curated by Helen Jean, the Jacquie Dorrance Curator of Fashion Design at the Phoenix Art Museum, and her team, the exhibit celebrates the evolution of fashion and honors the efforts behind the dedicated preservation of each piece. Jean has curated for Phoenix Art Museum since 2019 and has notably worked on the Barbie exhibit.

The exhibit features fashion from different times and places, “Greatest Fits (vol. 1): The Art of Archiving Fashion” holds appeal for a broad audience, encompassing aspects of science and technology including local Arizona history, and the personal stories of those committed to fashion conservation. This exhibit is expected to be a special addition to the Phoenix Art Museum, inviting visitors to explore the progression of fashion history and preservation.

In her remarks on the opening night of the exhibit, Jean said, “You’re going to experience a transformation of mood in each environment as you go gallery to gallery, that’s due to an extraordinary team at the museum.” While exploring the galleries, the shift in mood is apparent; each room presents its own varied atmosphere.

Northeast Valley News attended the exclusive preview event where Arizona Costume Institute and Phoenix Art Museum board members and investors gathered to view the integral work of the curatorial team. Guests embraced the exhibit’s theme, and took the opportunity to show off their passion for the art of fashion through their own outfits.

One woman was complimented on her pink Manolo Blahnik pumps by a man in a three-piece yellow suit. Another woman was wearing white tweed Chanel —complete with pearls.

Jean highlighted the connection between fashion and the shaping of identity; the exhibit offers a window into the human experience through the medium of clothes. In an interview with the Costume Society of America, Jean said, “I’m fascinated by the many ways we are connected through the clothing that we wear, as well as the traditions we share when constructing our identity through appearance. I am so lucky that my work allows me to explore the human experience through clothing.”

The exhibit which runs from October 9th through February 2025 appeared to exceed expectations from attendees, sparking conversation and excitement among the diverse group of art lovers and novices alike.